Black Journal: Ep 11 (1969)[Black Art & Black Farming in The Deep South]
Tributes to labor leader A. Philip Randolph, who celebrates his 80th birthday on April 15th, and Paul Robeson Sr., on the 71st anniversary of his birth.
Black Culture in the Deep South ranges from the jazz and classical work of New Orleans composer Roger Dickerson to the modern dance expressions of a student group at North Carolina College in Durham. In each case, the objective is "inner self-development," in the words of Dickerson. Or, it is expression "relevant to black beauty," which draws on the "texture of an entire life," according to artist John Biggers.
Murals, paintings and sculptures relating the black experience by student artists at Texas Southern University in Houston. Biggers, a professor at the university, notes that today's black artists are choosing their "colors from the earth." Dickerson's creativity is seen through his jazz pieces, which he interprets with a jazz combo at Sylvia's, a Bourbon Street club; and through "The Negro Speaks of Rivers," a classical song based on Langston Hughes' poem of the same name. "Black Journal" also studies the jazz scene in New Orleans, interviewing Professor Longhair, a local musician for the past 40 years. The Dashiki Theater, a New Orleans troupe associated with Dillard College, is seen rehearsing an improvisatory piece on marital infidelity. Ted Gillian, theater director, explains that the group seeks "corrective images for the black man in the South."
The Avondale Shipyards in New Orleans, where company president Zack Carter boasts of the company's hiring record with blacks and notes that unionization has been voted down overwhelmingly. Larry Cager, acting director of the Urban League, argues that blacks are primarily employed at low levels. The few who reach higher levels are paid less than whites in comparable positions, Cager notes.
The plight of the East Georgia Farmers' Cooperative, which is thwarted in its attempt to buy a local gas station that would provide low-cost fuel for farm equipment. Crawfordville Enterprises, a manufacturing venture which has been organized by Southern Rural Action Project, is seen in its current fundless state. SRAP head Randolph Blackwell explains the cutoff of funds by the Office of Economic Opportunity, but stresses that the black man's chances for economic health lie in the area of manufacturing.
Black Journal began as a monthly series produced for, about, and - to a large extent - by black Americans, which used the magazine format to report on relevant issues to black Americans
Black Culture in the Deep South ranges from the jazz and classical work of New Orleans composer Roger Dickerson to the modern dance expressions of a student group at North Carolina College in Durham. In each case, the objective is "inner self-development," in the words of Dickerson. Or, it is expression "relevant to black beauty," which draws on the "texture of an entire life," according to artist John Biggers.
Murals, paintings and sculptures relating the black experience by student artists at Texas Southern University in Houston. Biggers, a professor at the university, notes that today's black artists are choosing their "colors from the earth." Dickerson's creativity is seen through his jazz pieces, which he interprets with a jazz combo at Sylvia's, a Bourbon Street club; and through "The Negro Speaks of Rivers," a classical song based on Langston Hughes' poem of the same name. "Black Journal" also studies the jazz scene in New Orleans, interviewing Professor Longhair, a local musician for the past 40 years. The Dashiki Theater, a New Orleans troupe associated with Dillard College, is seen rehearsing an improvisatory piece on marital infidelity. Ted Gillian, theater director, explains that the group seeks "corrective images for the black man in the South."
The Avondale Shipyards in New Orleans, where company president Zack Carter boasts of the company's hiring record with blacks and notes that unionization has been voted down overwhelmingly. Larry Cager, acting director of the Urban League, argues that blacks are primarily employed at low levels. The few who reach higher levels are paid less than whites in comparable positions, Cager notes.
The plight of the East Georgia Farmers' Cooperative, which is thwarted in its attempt to buy a local gas station that would provide low-cost fuel for farm equipment. Crawfordville Enterprises, a manufacturing venture which has been organized by Southern Rural Action Project, is seen in its current fundless state. SRAP head Randolph Blackwell explains the cutoff of funds by the Office of Economic Opportunity, but stresses that the black man's chances for economic health lie in the area of manufacturing.
Black Journal began as a monthly series produced for, about, and - to a large extent - by black Americans, which used the magazine format to report on relevant issues to black Americans
Published 3 years ago
TagsAvondale Shipyards New Orleans East Georgia Farmers' Cooperative Crawfordville Enterprises Black Art Black Culture Black Music Southern Rural Action Project Randolph Blackwell Farming agriculture black farmers black lives matter Texas Southern University Houston Urban league black love black power jazz
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